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Sony Pictures TV’s decision to keep Steve Kent overseeing The Young and The Restless has left many fans disappointed.

Critics feel that under Kent’s leadership, the show has lost touch with its roots and failed to live up to its potential. Even with our own criticisms, we root for him, along with headwriter and executive producer Josh Griffith, hoping the show can not only maintain its quality but exceed it.

We’ve compiled a 10-step plan to revamp The Young and The Restless, aiming to make it better than ever. One major gripe is the unnecessary focus on corporate drama among absurdly wealthy characters, which does little to engage viewers. Rather than these futile power struggles, the show could benefit from focusing on more relatable and compelling storylines.

Genoa City’s roster of CEOs, including Tucker, Audra, Nate, Kyle, and Billy, seems disproportionate given their age and life experiences. Characters like Kyle and Summer, who are portrayed as seasoned professionals despite their young age, lack believability. Introducing younger characters who can realistically explore their youthful indiscretions and aspirations could inject much-needed vitality into the show.

Furthermore, the neglect of ongoing story arcs, such as Audra and Noah’s supposed fiery romance fizzling out or the sudden disappearance of characters like Ally, reflects poorly on the show’s continuity. It’s these unresolved plotlines that frustrate viewers and detract from the overall viewing experience.

The show’s current reluctance to tackle contemporary issues or engage in meaningful social commentary is also noticeable. Issues like Nate’s struggles as the only Black executive at Newman or potential storylines exploring reproductive rights amidst legislative challenges could add depth and relevance to The Young and The Restless.

Production quality has also declined, evident in poorly executed green screen effects and off-screen plot developments that leave audiences feeling disconnected. Rather than assuming viewers will stick around despite these shortcomings, the show should prioritize immersive storytelling and character development.

Romantic narratives, once a cornerstone of the show, have taken a back seat, leaving fans longing for the passion and chemistry that defined iconic couples like Jack and Diane or Danny and Christine. Today’s couples lack the intensity and longing that once made viewers’ hearts race.